Showing posts with label Ganesh. Show all posts
Showing posts with label Ganesh. Show all posts

Saturday, 21 December 2013

Maharashtra - Another India

For my next learning journey, I've decided to learn about Maharashtra, India's second most-populated state.  If Maharashtra was an independent country, it would be 12th largest in the world, in terms of population.  With 112 million people, it's just behind Mexico and Japan.  In terms of land area, Maharashtra is a bit smaller than Poland and a bit bigger than Arizona.  Maharashtra came into existence on the 1st of May 1960 and is a successor of the Bombay Presidency (which also included the state of Gujarat).

It isn't my first time to blog about India.  Back in May-July 2010, I did a series of blog posts on Rajasthan.  Unlike Rajasthan, which I still haven't managed to visit - I have actually been to Maharashtra, having spent Christmas there in 2002.  Spending Christmas in India was quite an experience and I still remember eating cold slices of turkey with cranberry sauce, as I sat sweating in an Irish bar in the Colaba district of Mumbai.

As well as spending a few days in Mumbai, I also visited Pune, as my travelling companion was interested to find out more about the Osho ashram (which turned out to be a great disappointment).  I had the best cup of tea ever in Pune - I can almost still taste it - very milky and full of ginger.

Gateway to India by Swami Stream
After Pune, I travelled alone to Kolhapur, Maharashtra's sixth largest city, as I wanted to experience a slice of everyday Indian life - this time I wasn't disappointed.  I met my first ever Hindu fundamentalist in Kolhapur, who poked me in the chest and asked me what I was doing there (at least I figured that was what he was saying, as I don't speak Marathi!).

I also remember an incredibly attentive waiter in Kolhapur, who insisted on standing beside me through the entire meal, so he could chop up my bits of food.  I was half-expecting him to start feeding me, or eat the meal himself!

As I've started researching and reading about India's history, I can't help thinking about Maharashtra as another India. It's probably the biggest Indian regional culture which is outside the dominant Hindi mainstream.  Mumbai is the largest city in India and held an important role during the time of the British Raj - yet Maharashtra doesn't dominate the history of India.  It would seem that India's history happened in the northern states - Delhi, Punjab and, after the British arrived, Kolkata. 

I find it ironic that, despite the fact that only 12% of the state's population speaks Hindi (69% speak the state language, Marathi) - Maharashtra is the home of Bollywood, the factory for Hindi culture and dreams.  It'll be interesting to get to the heart of this cultural divide and learn about Maharashtra and Marathi people, culture and language.

Shri Ganesha by Swami Stream
I've always been attracted to the Hindu god Ganesha or Ganapati and he's particularly popular in Maharashtra.  As well as being the mid-winter solstice, today is also the beginning of Pancha Ganapati, a five-day festival in honour of Ganesha - surely an auspicious day to start blogging about Maharashtra?

The festival seems to be most popular with people of Indian descent who live in other parts of the world, especially in nominally Christian countries, like the United States, where Christmas is almost universally celebrated.  I guess Pancha Ganapati gives ex-pat Hindus a chance to celebrate family, harmony and devotion at the same time as their Christian neighbours? 

I found the following video on YouTube which explains the tradition of Pancha Ganapati - enjoy! 




Image credits:

The picture of the Gateway to India - one of Mumbai's most iconic buildings - was taken by Flickr member Swami Stream a.k.a. Swaminathan, who is from Pune in Maharashtra, as was the picture of Shri Ganesha.  You can see more of Swaminathan's photos on his photo stream, or on his website

Saturday, 29 May 2010

Rajasthan - Positively Transcendental

One of the most exciting things about India, for me, is the music.  Folk, classical and Bollywood songs that go circling around in your auditory cortex for days afterward, defying definition or interpretation.  From The Beatles to Alannis Morrisette, Western pop stars have flocked to India, seeking inspiration, instruction and Indian rhythms to inform their own musicality. 

India has been a real melting pot of musical styles - Buddhist chanting and incantations not unlike the languid tropicality of the music of Siam and Bali, mixed with the screeching, stringed instruments of Central Asia and the soft, pounding drums of the Qawwali.  Indian classical music has a very long and proud tradition and has produced some of the world's greatest musicians, such as Ravi Shankar and Nusrat Fateh Ali Khan

There's quite a lot to learn about Indian music, so I've started with a select range of styles and instruments that are popular in Rajasthan and somehow caught my attention.  I've been listening to lots of Bhajans, devotional songs sung by both men and women and venerating Hindu Gods such as Shiva, Krishna and Ganesh.  It's all about strings, drums and voice and it's incredibly relaxing music, especially for a Saturday morning, after a long and hard week at work!  I found a great album on iTunes called The Best Bhajan Collection.  I was tempted to download the whole album, a mere 83 Bhajans, but decided against it, reasoning I would become more familiar with the three Bhajans I eventually chose. 

The two instruments most associated with Bhajans are the Ektara and Dholak.  The Ektara is a curious instrument, I still haven't quite figured out whether it's a percussion instrument or a stringed one.  A bit of both, I guess.  It's usually made with a single string between two parts of a split cane and with a large gourd-type weight at the bottom, covered in animal skin and functioning as a kind of drum.  What's interesting about the Ektara is that, by compressing the two halves of the split cane, you can change the pitch of the string, which is plucked rhythmically.  It's traditionally an instrument of travelling minstrels.

The dholak is familiar to most people as a typical Indian drum and very much defines our stereotype of what an Indian rhythm is.  I'm sure most people who've been to India, will have walked along the street, at one time or another, to the beat of the dholak.  It has two sides, one side being larger than the other, giving a deeper tone to the overall sound.  It can be carried with a string around your neck, or simply held in your lap, again very conducive to wandering and nomadic lifestyles.  Of course, these instruments are not only to be found in Rajasthan, but are popular all over Pakistan, India and Bangladesh.

I also learnt a bit about the Sarangi, a classical instrument which is said to be the instrument which most closely ressembles the wavering tones of a human voice!  The sarangi has been played for centuries in the palace of the Maharana of Udaipur.  The sound reminds me a lot of Central Asian instruments, like the Rubob, which I heard when I was living in Uzbekistan. 

A contemporary master of the sarangi is Udaipur-born Pt Ram Narayan.  Pt is short for pandit, a title that is given to talented musical teachers.  Narayan studied under Ravi Shankar and has been, arguably, just as successful with Western audiences.  He comes from a long tradition of court singers and I love this idea that music is handed down from generation to generation.  Narayan's daughter, Aruna, is also a well-known sarangi master.  Narayan is associated with the Kirana tradition of sarangi, which is more traditional to Utter Pradesh.  The sarangi of Rajasthan, the Jogiya Sarangi, is the music of Jodhpuri and Barmeri snake-charmers.  I can understand the connection.  A morning of Sarangi has me positively transcendental!

I'm going to leave you with a Bhajan devoted to Ganesh, a god I have an inexplicable attraction to.  I was genuinely surprised to see how much devotional Hindu music is available on YouTube, it's well worth an afternoon of exploration, if not for the music, then the stunning religious paintings and imagery.  Enjoy!



Image credits

The photo of the larger drum, the Dhol, is by flickruser Swami Stream a.k.a. Swaminathan.  Swaminathan is from Pune, a city I've visited once and is an amateur photographer with a great eye for detail.  You can see more of his photos at http://www.flickr.com/photos/araswami/